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YoutubeCASABLANCA THERAPY / Bojan Jablanovec (Sl)
Small Inventory 2011
performance length: 80 min
on materialization of love
concept and direction: Bojan Jablanovec
Performers and co-authors: Anita Wach, Magda Tuka, Grega Zorc, Marie-Luise Stentebjerk, Emma-Cecilia Ajanki
Photography: Marc Andrea
stage manager: Janko Oven
Performers and co-authors: Anita Wach, Magda Tuka, Grega Zorc, Marie-Luise Stentebjerk, Emma-Cecilia Ajanki
Photography: Marc Andrea
stage manager: Janko Oven
The performance in English with Czech subtitles
Stories about being victim to consumerism’s love ideology, scenes about searching for new though more and more ridiculous ways to satisfy the need to love and to be loved. Casablanca is a performance about love as a misunderstanding, packed with cheesy romantic songs and love clichés.
Casablanca Therapy is a performance that desperately wants to be touched by the audience and risks yet another disappointment.
The work was created as part of the DNA(Development of New Art) international project and as a production of the New Web initiative. It returns to Prague for two exclusive performances after successfully touring Europe.
Stories about being victim to consumerism’s love ideology, scenes about searching for new though more and more ridiculous ways to satisfy the need to love and to be loved. Casablanca is a performance about love as a misunderstanding, packed with cheesy romantic songs and love clichés.
Casablanca Therapy is a performance that desperately wants to be touched by the audience and risks yet another disappointment.
The work was created as part of the DNA(Development of New Art) international project and as a production of the New Web initiative. It returns to Prague for two exclusive performances after successfully touring Europe.
Production: New Web, C.A. and DNA project partners (Glej Theatre, co–partner Via Negativa, Slovenia; L1, Hungary; Entre Scénen, Denmark; A4, Slovakia; Katedra kultury, Poland)
Support: The project was supported by the European Commission programme Culture and by the International Visegrád Fund, Ministry of culture of Czech Republic and Ministry of culture of Slovenia, by the city of Prague and by the city of Ljubljana.
This project has been funded with support from the European Commission. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.
Thanks to České noviny:
České noviny
DNA Website
Support: The project was supported by the European Commission programme Culture and by the International Visegrád Fund, Ministry of culture of Czech Republic and Ministry of culture of Slovenia, by the city of Prague and by the city of Ljubljana.
This project has been funded with support from the European Commission. This publication reflects the views only of the author, and the Commission cannot be held responsible for any use which may be made of the information contained therein.
Thanks to České noviny:
České noviny
DNA Website
